The City of Bristol's Backyard Wine Gardens: Grape-Treading Fruit in Urban Gardens
Every quarter of an hour or so, an ageing diesel railway carriage arrives at a spray-painted stop. Close by, a law enforcement alarm cuts through the near-constant traffic drone. Daily travelers rush by collapsing, ivy-covered fencing panels as storm clouds form.
It is perhaps the least likely spot you expect to find a well-established vineyard. But James Bayliss-Smith has cultivated 40 mature vines heavy with plump mauve grapes on a sprawling allotment situated between a row of historic homes and a local rail line just above the city downtown.
"I've noticed people hiding heroin or other items in those bushes," states Bayliss-Smith. "Yet you just get on with it ... and continue caring for your grapevines."
Bayliss-Smith, 46, a documentary cameraman who also has a fermented beverage company, is among several local vintner. He has pulled together a loose collective of growers who make wine from several hidden city grape gardens tucked away in back gardens and allotments across the city. The project is too clandestine to possess an official name yet, but the group's messaging chat is called Grape Expectations.
Urban Vineyards Across the World
To date, the grower's plot is the only one registered in the Urban Vineyards Association's upcoming world atlas, which features more famous city vineyards such as the 1,800 vines on the slopes of the French capital's historic Montmartre neighbourhood and over 3,000 grapevines with views of and inside the Italian city. Based in Italy non-profit association is at the forefront of a movement reviving urban grape cultivation in historic wine-producing countries, but has discovered them throughout the world, including cities in Japan, South Asia and Central Asia.
"Vineyards help urban areas stay more eco-friendly and ecologically varied. They preserve open space from development by establishing permanent, yielding farming plots inside cities," says the organization's leader.
Similar to other vintages, those created in urban areas are a product of the earth the vines grow in, the vagaries of the climate and the individuals who tend the grapes. "Each vintage embodies the charm, local spirit, landscape and history of a city," adds the spokesperson.
Unknown Eastern European Variety
Back in Bristol, Bayliss-Smith is in a urgent timeline to harvest the grapevines he cultivated from a cutting abandoned in his garden by a Polish family. If the rain comes, then the pigeons may seize their chance to feast again. "This is the enigmatic Eastern European grape," he comments, as he removes bruised and mouldy grapes from the shimmering bunches. "We don't really know their exact classification, but they're definitely hardy. Unlike noble varieties – Pinot Noir, white wine grapes and additional renowned French grapes – you don't have to spray them with chemicals ... this could be a unique cultivar that was bred by the Eastern Bloc."
Group Activities Throughout the City
The other members of the group are additionally taking advantage of bright periods between showers of fall precipitation. On the terrace with views of Bristol's shimmering waterfront, where medieval merchant vessels once floated with barrels of vintage from France and the Iberian peninsula, Katy Grant is collecting her rondo grapes from about fifty plants. "I love the aroma of these vines. The scent is so reminiscent," she remarks, stopping with a container of grapes resting on her arm. "It's the scent of southern France when you open the car windows on vacation."
Grant, fifty-two, who has spent over two decades working for humanitarian organizations in war-torn regions, inadvertently took over the grape garden when she returned to the United Kingdom from East Africa with her household in 2018. She experienced an strong responsibility to look after the vines in the yard of their recently acquired property. "This plot has already survived three different owners," she explains. "I deeply appreciate the concept of environmental care – of passing this on to someone else so they can continue producing from the soil."
Terraced Vineyards and Traditional Production
A short walk away, the final two members of the collective are hard at work on the steep inclines of the local river valley. One filmmaker has established over one hundred fifty plants situated on ledges in her expansive property, which tumbles down towards the silty local waterway. "People are always surprised," she notes, indicating the interwoven vineyard. "It's astonishing to them they are viewing grapevine lines in a urban neighborhood."
Currently, Scofield, 60, is harvesting bunches of dusty purple dark berries from lines of vines arranged along the hillside with the help of her child, her family member. Scofield, a documentary producer who has worked on Netflix's nature programming and BBC Two's Gardeners' World, was inspired to cultivate vines after observing her neighbour's grapevines. She's discovered that amateurs can produce interesting, pleasurable traditional vintage, which can sell for more than seven pounds a serving in the increasing quantity of wine bars specialising in low-processing vintages. "It is incredibly satisfying that you can truly make good, natural wine," she says. "It is quite on trend, but really it's reviving an traditional method of producing vintage."
"During foot-stomping the grapes, all the natural microorganisms are released from the skins and enter the juice," says Scofield, partially submerged in a bucket of small branches, seeds and red liquid. "That's how wines were historically produced, but industrial wineries add preservatives to kill the wild yeast and subsequently incorporate a commercially produced yeast."
Challenging Environments and Creative Solutions
A few doors down active senior Bob Reeve, who inspired Scofield to plant her vines, has gathered his companions to harvest Chardonnay grapes from the 100 plants he has laid out neatly across two terraces. The former teacher, a Lancashire-born physical education instructor who worked at the local university developed a passion for viticulture on regular visits to France. However it is a difficult task to grow this particular variety in the humidity of the valley, with temperature fluctuations sweeping in and out from the nearby estuary. "I aimed to make Burgundian wines here, which is a bit bonkers," says Reeve with amusement. "Chardonnay is late to ripen and very sensitive to fungal infections."
"My goal was creating European-style vintages here, which is a bit bonkers"
The temperamental Bristol climate is not the only challenge encountered by winegrowers. The gardener has had to install a fence on